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Blur band Wikipedia

After discovering they were £60,000 in debt, Blur toured the United States in 1992 in an attempt to recoup their financial losses. The group released the single "Popscene" to coincide with the start of the tour. Featuring "a rush of punk guitars, '60s pop hooks, blaring British horns, controlled fury, and postmodern humor", "Popscene" was a turning point for the band musically. Think Tank, released in May 2003, was filled with atmospheric, brooding electronic sounds, featuring simpler guitar lines played by Albarn, and largely relying on other instruments to replace Coxon. The guitarist's absence also meant that Think Tank was almost entirely written by Albarn. Its sound was seen as a testament to Albarn's increasing interest in African and Middle Eastern music, and to his complete control over the group's creative direction.

The song is largely electronic, and was part of the band's protest against war in the Middle East. Albarn, however, attempted to assuage fans' fears that the album would be electronic by providing reassurances that the band's new album would be "a rockin' record", and also said that it has "a lot of finely crafted pop songs". Early in 2002, Blur recorded a song that would be played by European Space Agency's Beagle 2 lander once it touched down; however, attempts to locate the probe after it landed on Mars were fruitless.

The album's lead single, the gospel-based "Tender", opened at the second spot on the charts. After "Coffee & TV", the first Blur single to feature Coxon on lead vocals, only reached number 11 in the UK, manager Chris Morrison demanded a chart re-run because of what he deemed was a sales miscalculation. The album's first single, the disco-influenced "Girls & Boys", found favour on BBC Radio 1 and peaked at number 5 on the UK Singles Chart, and number 59 in the US Billboard Hot 100 where it remains the band's highest-charting single. Parklife entered the British charts at number one and stayed on the album charts for 90 weeks. Enthusiastically greeted by the music press—the NME called it "a Great Pop Record ... bigger, bolder, narkier and funnier "—Parklife is regarded as one of Britpop's defining records. Blur won four awards at the 1995 Brit Awards, including Best Band and Best Album for Parklife.

Figuring out which sadness is ours might be a challenge as boundaries blur on this intensely watery day. Osibodu-Onyali says experiencing this type of behavior from a parent can blur boundaries in romantic situations in the future. And in the end, as real and virtual lives blur, users may be happy with that.

Blur began working on their fourth album The Great Escape at the start of 1995. Building upon the band's previous two albums, Albarn's lyrics for the album consisted of several third-person narratives. Partly due to increasing antagonisms between the groups, Blur and Oasis released their new singles on the same day, an event the NME called "The British Heavyweight Championship". The debate over which band would top the British singles chart became a media phenomenon, and Albarn appeared on the News at Ten. At the end of the week, "Country House" ultimately outsold Oasis' "Roll With It" by 274,000 copies to 216,000, becoming Blur's first number one single.

Blur's musical style has been described as Britpop, indie rock, alternative rock, art pop, art rock, and pop rock. The band's seventh studio album Think Tank moved into more of an electronic sound. Some of the band's influences include, David Bowie, Bobby Womack, William Onyeabor, the B-52's, the Kinks, Radiohead, Pink Floyd, the Jam and Depeche Mode. Released in March 1999, Blur's sixth studio album 13 saw them drift still further away from their Britpop-era attitude and sound. Orbit's production style allowed for more jamming, and incorporated a "variety of emotions, atmospheres, words and sounds" into the mix. 13 was creatively dominated by Coxon, who "was simply allowed to do whatever he chose, unedited", by Orbit.

This begs the question, why wasn’t Britpop more heavily protested against at the time? Despite all the promises of the liberal 1990s, outdated social mores were yet to change, and #MeToo blur was still a long way away. Ultimately,Radiohead put it perfectly – Britpop was “backwards-looking”. One of the more notable critics of Britpop is Brett Anderson, frontman of Suede.

Modern Life Is Rubbish received good reviews in Britain, peaking at number 15 on the charts, yet it failed to make much of an impression in the U.S. They played a number of high-profile gigs in 2009, including headlining Glastonbury, then in 2010 a documentary of the band's history called No Distance Left to Run appeared. Along with it came "Fool's Day," a limited-edition single timed to coincide with 2010's Record Store Day. Along with this box came "Under the Westway/The Puritan," a single to support the box and the group's headlining spot at the closing Olympic ceremonies in August 2012.

In recent browsers, the domain of the event has been extended to include all element types. An element can lose focus via keyboard commands, such as the Tab key, or by mouse clicks elsewhere on the page. It can be used to suppress noise and local pixel variation or as an effect to de-focus an image. The opposite of blur is the focus event, which fires when the element has received focus.

After it was licensed for use in various media—such as soundtracks, advertisements and television shows—"Song 2" became the most recognisable Blur song in the US. After the success of Blur, the band embarked on a nine-month world tour. In the face of negative press and weak public support, Blur nearly broke up in early 1996, but they instead decided to spend the entire year out of the spotlight.